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Manda Bala explores Brazil

INDIE FILM GUIDE: Doc dissects concentration of wealth in societies

By Cindy Spielvogel -- Video Business, 2/22/2008


Filmmaker Jason Kohn's documentary will be released by City Lights Home Entertainment.

FEB. 25 |
Winner of last year’s Grand Jury Prize for Best Documentary at the Sundance Film Festival, Manda Bala (Send a Bullet) explores the seemingly diverse topics of Brazil’s economic inequalities, political corruption, kidnappings and plastic surgery industry. It took filmmaker Jason Kohn five years to make the film, which will be released on DVD April 8 by City Lights Home Entertainment (prebook March 11; DVD $26.98).

Manda Bala is Kohn’s directorial debut. He previously worked with director Errol Morris on The Fog of War, which won the Oscar for Best Documentary in 2004.

Although the audience for documentaries is often limited to people in the white, upper- to middle-class, college- to middle-age demographic, Kohn says he has seen interest in Manda Bala “across the board.”

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Kohn saw the film as a way to bring together disparate elements to tell a story about how the concentration of wealth can destroy people. Brazil is the country with the second highest concentration of wealth next to Swaziland, where most of the wealth is held by a monarchy. “It shows there’s something supremely wrong with the infrastructure of the democracy in Brazil,” he says.

Although wealthy people don’t like to talk about it, Kohn says, similar situations can occur in other societies—including the U.S. He uses HBO series The Wire, a drama about Baltimore’s drug scene, as an example.

Kohn, who has family roots in Brazil, began making Manda Bala by looking at some “odd industries” in the country. For instance, Brazil has revolutionized frog farming, and the film begins with a scene from a money-laundering frog farm.

Brazil also is the center of technology and progress in plastic surgery, according to Kohn. Surgeries there include taking cartilage from a wealthy patient’s ribs to replace the patient’s ears after being cut off by kidnappers.

The tagline of Manda Bala is “When the rich steal from the poor, the poor steal the rich.”

Kohn knew he was dealing with corruption and crime, but making the film turned out to be unexpectedly dangerous. At one point during an interview, he found himself in a situation where guns were wielded.

But if he had to do it all over again, he would—wouldn’t he?

“No,” Kohn says. “I wouldn’t put the lives of my crew in jeopardy.”
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